![]() It works great with bass and keyboards too. Amazing! Joel Hamilton Elvis Costello, Sparklehorse, Tom Waits, Jolie Holland and more The Reamp is the recording guitar player's best friend. It's an elegant tool for sonic shaping and creative re-recording. Let your imagination run free! The Reamp gives me the flexibility I need to tailor the energy of each song I mix. Try a wah pedal on kick drum, envelope on snare, distortion on a vocal track. Reamping Part 3: Take things one step further by introducing effects pedals into the mix. Move the mic around to find the sweet spot. Reamping Part 2: Once the dry track is recorded, send it back to the Reamp JCR where it can feed a guitar or bass amplifier. ![]() The Radial J48 is an excellent choice for this as it presents the guitar with an ideal impedance for natural tone. Reamping Part 1: Reamping usually starts by recording a dry clean track. In fact, Reamping is the magic ingredient that has brought many of the most esteemed recordings to life. ![]() And Reamping is no longer just for guitars It is now common to Reamp bass, keyboards, drums, violin you name it. With today's unlimited track capabilities, Reamping is now accessible to everyone. An on-board mute function has also been added to allow you to shut off the signal going to the amps when making adjustments or moving mics around the studio. The latest Radial version features separate XLR and " TRS input connectors, variable output level plus a three-position filter that lets you tame excessive highs, warm up the lows or simply bypass if you want to revert to the original circuit. It features a 100% passive design with John's original custom wound 'Made in the USA' transformer and circuit. The Radial Reamp JCR is the latest version of the original Reamp that was designed and patented by John Cuniberti.
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